Art & fun

Gallery 302, level 3

In his creative process, Sol LeWitt challenges the traditional methods and techniques used to make a work of art. This Wall Drawing was not made by DeWitt himself, but by a team following his instructions. His point is that art is in the idea, rather than in its becoming a reality.

LeWitt’s Wall Drawings are drawn directly on the wall and erased after the exhibitions. The artist’s instructions are kept for the next time they are needed.

This site-specific Wall Drawing was originally designed for another large gallery (208, on level 2) back in 1997, for the opening of the Museum.

One of the artist’s earliest Wall Drawings made with acrylic on wall, it boasts bright, saturated colors: red, blue, orange, green, purple, grey… Irregular geometric forms follow the curve and inclination of Frank Gehry’s wall, and painting and architecture merge and transform each other.

Take a slow walk around the gallery. How do you feel when looking at these forms and colors? Would you feel different if the painting’s scale or its colors were different?

Gallery 303, level 3

Gilbert and George met in the 1960s. They soon moved together and began to work together, merging their identities to become Gilbert & George. They make no distinction between art and life: their lives are their own works of art. In the late 1960s, they conceived their “Living Sculptures”, which transformed their everyday activities into performance art.

Gilbert & George have tried a variety of disciplines, including painting, drawing, photography, writing, film, and performance. In all of them, the artists take center stage, often in the form of self-portraits.

In the mid-1970s, the artists adopted the grid format for their photographic works, while in the early 1980s, they began to dye collaged photographs with lurid colors, thereby playfully summoning the tradition of stained-glass windows in churches. Both features can be appreciated in Waking.

Their works from this period draw upon the particulars of East End society and the British urban homosexual experience, but do so in order to engage the full range of human existence.

Gallery 303, level 3

In the same gallery, you can take a look at Tulips, a work by American artist Jeff Koons.

Back in the 1980s, Koons defied the limits between highbrow and popular culture by using a visual language that drew on marketing, advertising, and the entertainment industry to reach across to the so-called masses.

Tulips is a bouquet of multicolor balloon flowers blown up to gargantuan proportions (more than 2 meters tall and 5 meters across). It belongs to Koons’s Celebration series, which he initiated in 1994. Focusing on the kinds of generic, mass-produced objects associated with birthday parties, holidays, and other festive events, the paintings and sculptures in the series reflect Koons’s continued engagement with the emblems of childhood.

In Tulips, as in the towering Puppy, which stands in the Museum Square, Koons has manipulated scale and materials to uncanny ends. What do you think is the artist’s intended effect on the viewer?

Hallway next to Gallery 303

How do you feel when you look at a work of art? Do you think other people feel the same? ARTETIK: From the Art is a digital experience you cannot afford to miss!

ARTETIK is an installation to explore the emotions triggered by the works in the Guggenheim Museum Bilbao Permanent Collection. It is a digital experience to be completed over the course of time, creating a collective emotion chart from the interactions with individual visitors.

Experience art in the Museum Collection and share your emotions! You can also explore other works arousing fascination and other feelings in the viewer.

ARTETIK: From the Art is a project carried out by the Guggenheim Museum Bilbao and Google Arts & Culture.

Museum Square

Upon leaving the Museum, you will come across Jeff Koons’s Puppy. In Puppy, Koons brings past and present together, evoking eighteenth-century European gardens and their theatrical effects while using sophisticated computer models for the large-scale structure. His giant West Highland white terrier sculpture, covered in plants, is a monument to sentimentalism, conveyed in the form of tender icons: flowers and puppies.

In Puppy, Koons plays with scale and combines references to both highbrow and popular culture, from the art of bush sculpture to dog breeding to decorative ceramics to greeting cards.

Koons designed his Puppy to attract visitors, instill optimism, and make people feel “confident and secure” (in the artist’s own words). Distinguished and robust, Puppy keeps watch of the Museum, as visitors look at him with wonder and joy. With time, Jeff Koons’s dog has become an icon of Bilbao.

Did you know? Puppy is a “living” work of art. It is covered with 35,000 flowering plants: in spring, begonias, impatiens, petunias, lobelias, Indian and Chinese carnations in red, orange, pink, and white; in the fall, pansies.